Why Not Theatre’s 2015 edition of the RISER Project continued its programming last night at the Theatre Centre with previews of its two final shows – I saw Mahmoud.
Produced in partnership with Pandemic Theatre, written by Tara Grammy and Tom Arthur Davis, directed by Davis and starring Grammy, Mahmoud is a one-person whirlwind of storytelling – the highs, lows and in-betweens of three seemingly disparate characters that eventually cross paths.
Iranian electrical engineer turned Toronto taxi driver Mahmoud is a congenial host in his cab, keenly interested in people and always up for a conversation, especially when it comes to talking about his homeland. His love for home is palpable – he adores Persian culture and poetry, and misses the food. But it’s been 25 years since he’s been there, and the Iran he longs for no longer exists – and past events, the ones that brought him to Canada, continue to haunt him. Emanuelos is a fabulously flaming gay Spanish perfume salesman with a hot Iranian boyfriend, Behnam, who’s currently back home in Iran on a family matter. It’s a complicated relationship, as Behnam’s family is very traditional – and more conservative than Emanuelos wants to admit. And we see self-described Iranian-Canadian Tara go from an awkward, earnest tween aspiring actress to a driven young woman working to establish a career in the industry.
Identity, and cultural perceptions of women, sexuality and relationships play strongly in Mahmoud – each character is conflicted and layered in such a way that you can never tell the whole story from just looking on the surface. Assumptions and stereotypes are highlighted. Emanuelos’ feelings for Behnam, his own personal Prince of Persia, feed off the sexy and erotic draw of the exotic other. Tara wants to distinguish herself as an actor – and not as a doctor or some other white-collar profession that her parents would like her to be – but also just wants to blend in with her more western-looking peers. Her perceptions of outward beauty – blonde and hairless – are turned upside down when an agent wants to capitalize on her “exotic” natural look. And Mahmoud’s conservative views towards women and relationships may seem at odds with an educated man who has the heart of a poet, but his values ground him and help him to make sense of an otherwise senseless world.
Grammy is a delightful and engaging storyteller, shifting in and out of each character with style and clarity – and, above all, with truth and respect. No one is perfect – and that’s definitely the case with her three characters, which each have a delightful quirkiness of his or her own. And in each character’s individuality, she shows us the commonality – all want to be loved, work, belong and connect.
Mahmoud is a charmingly funny, moving and thought-provoking look at identity and culture.
Mahmoud continues its run at the Theatre Centre Incubator space until May 24. Check out the RISER Project and it’s exciting 2015 program. You can get advance tix online here.
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