SummerWorks: Memory, nostalgia & queer men longing to connect in the quirky, charming, poignant Box 4901

Thirteen letters responding to a 1992 gay personals ad sit in a box unanswered. What does the recipient say to these men 26 years later? Memory, nostalgia, connection and hindsight figure prominently in timeshare productions’ SummerWorks presentation of novelist Brian Francis’ autobiographical Box 4901; directed by Rob Kempson and running on the Theatre Centre’s Incubator stage.

Long before the age of smartphones and Grindr, a 21-year-old Francis—then a student at the University of Western Ontario—posted a personals ad in The London Free Press looking for a connection in the small LGBTQ world of conservative London, Ontario. Of the approximately two dozen letters he received, 13 went unanswered and were discovered years later. Francis narrates and responds as 13 queer actors perform each letter.

Featuring actors Bilal Baig, Hume Baugh, Keith Cole, Izad Etemadi, Daniel Krolik, Michael Hughes, Tsholo Khalema, Eric Morin, G Kyle Shields, Chy Ryan Spain, Jonathan Tan, Chris Tsujiuchi and Geoffrey Whynot, the responses to the ad range from the bashful to the pornographic. Coming from a variety of men—ranging in age from high school senior to father figure—from various walks of life (“regular guy,” teacher, farmer, jock, “straight-acting,” leather community), the letters are sassy, charming, eloquent and humourous. The replies are frank, witty, sharply observational; and tempered with kindness, and the hindsight of age and wisdom.

There are some missed chances and missed bullets. All of these men share the same desire to reach out; longing for connection and a cure for aloneness, there’s a vulnerable authenticity in even the cockiest of responses. And the fear of being outed to family or housemates is as palpable and strong as the excitement and anticipation of a new connection.

Box 4901 has one more SummerWorks performance at the Theatre Centre on Aug 19 at 4:45 p.m.; it’s already sold out, but you can try your luck by arriving early to see if there are any no-shows.

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Courage, poetry & resilience. Final words & accounts of the 16 executed rebels in the moving A Terrible Beauty: Voices from 1916

irish-rising-post-office

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?

That is heaven’s part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?

No, no, not night but death.
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead.

And what if excess of love
Bewildered them till they died?
I write it out in a verse —
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Whenever green is worn,
Are changed, changed utterly:
A terrible beauty is born.

Easter 1916, by W.B. Yeats

The Toronto Irish Players, as part of their commemoration of the 100th anniversary of the 1916 Irish Rising, presented A Terrible Beauty: Voices from 1916, an evening of readings and music, assembled and directed by Lucy Brennan, on the Alumnae Theatre Mainstage last night.

The evening began with the Irish Proclamation of Independence, read at the top of the stairs near the entrance of the Mainstage before we were invited to enter and take our seats. What followed was a multimedia tribute of 1916 Rising film footage and photographs, and readings of words written by the 16, and accounts from their family, loved ones, attending priests and brothers in arms. All of this interspersed with a cappella music breaks, sung by a single male voice: Mise Eire (Sean Ó Riada), The Bold Fenian Men (Peadar Kearny), The Minstrel Boy (Thomas Moore) and A Nation Once Again (Thomas Davis); and including poetry by W.B. Yeats, Patrick Pearse, Thomas MacDonagh and Joseph Mary Plunkett, as well as an introductory composition by director Lucy Brennan, and verbatim text of the last words and meetings in Kilmainham Jail, taken from Last Words.

With its dramatic readings of quotes, statements, and extracts from letters and speeches by and about the 16 leaders and executed rebels of the 1916 Irish Rising, A Terrible Beauty gives us a glimpse into the lives and dreams of those who were, in the words of the Proclamation (read on the steps of the General Post Office in Dublin by Patrick Pearse on Easter Monday, April 24, 1916) fighting for an Ireland that “guarantees religious and civil liberty, equal rights and equal opportunities to all its citizens and [which] declares its resolve to pursue the happiness and prosperity of the whole nation and all of its parts, cherishing all of the children of the nation equally.”

The 16 leaders and executed rebels included in the evening’s readings included the seven signatories of the Proclamation (Éamonn Ceannt, Thomas James Clarke, James Connolly, Seán MacDiarmada, Thomas MacDonagh, Patrick Pearse and Joseph Mary Plunkett) and nine other executed leaders (Roger Casement, Con Colbert, Edward Daly, Seán Heuston, Thomas Kent, John MacBride, Michael Mallin, Michael O’Hanranhan and William Pearse).

The ensemble did a lovely job with these deeply moving – at times tender, fierce and poetic – final words and first-hand accounts. The humanity and struggles of these men, and the sorrow of their family and those near to them coming to life on stage; the audience rapt in remembrance, responding with sounds of recognition, dismay, the occasional chuckle, and even humming or singing along with the songs. Kudos to the cast, in order of appearance (in some cases, playing multiple roles): Mark Whelan, Alan King, Nora Rafferty, Sheila DeCuyper, David Mackett, Jean Ireton, Danny Sullivan, James Phelan, Catherina Maughan, Alan Hunt, Mairead Clancy, Lucy Brennan, Davis Tyrell and Mark Hill. And thanks to the Toronto Irish Players and Lucy Brennan for the comprehensive and informative program notes.

Courage, poetry and resilience. Final words and accounts of the 16 executed rebels in the moving A Terrible Beauty: Voices from 1916.

A Terrible Beauty: Voices from 1916 was a one-night only event. You can catch the Toronto Irish Players as they continue their run of John Patrick Shanley’s Outside Mullingar, on the Alumnae Theatre Mainstage until Nov 5.

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