Poetry 500 years in the making in Soulpepper’s exquisite, haunting, wondrous Orlando

Set & lighting design by Lorenzo Savoini. Costume design by Gillian Gallow. Photo by Aleksander Antonijevic.

 

Soulpepper Theatre brings Virginia Woolf’s Orlando to the stage with an exquisite Canadian premiere of Sarah Ruhl’s stage adaptation of the magical time-travelling, gender-fluid tale, directed by Katrina Darychuck.

Starting off in Elizabethan England, we find Orlando (Sarah Afful) as a young man; a darling of the court and a favourite of Queen Elizabeth I (John Jarvis), he loves to be in love and longs to be a poet. Finding solace and solitude under his favourite oak tree, he begins crafting a poem. Smitten by beautiful and mysterious visiting Russian princess Sasha (Maev Beaty), he is rapturously happy for a time, but his tendency towards melancholy grows when she abandons him to return to her home. When he finds himself unable to avoid the unwanted advances of the Archduchess Harriet (Alex McCooeye), he seeks a way to leave the country—and gets his wish when King Charles II sends him to Constantinople as an ambassador.

It is there that Orlando undergoes an amazing transformation, emerging from a long sleep as a woman; she also finds herself longing to return home. Upon arriving at her family estate in England, she is greeted with the surprising news that she was assumed dead; and, as a woman, is not permitted to own property. The Archduchess comes back into her life—though she has transformed into a man. Shifting into the 19th century, Orlando meets and falls in love with Marmaduke (Craig Lauzon), a gender-shifting person like herself. Returning throughout to finish the poem she started as a young man, Orlando eventually finds herself in the 20th century, with Sasha still on her mind and in her heart—and returning to her poem. And, after 500 years, she may very well be seeing its completion.

Like Orlando’s view of the world, the tone too shifts from playful and fun to furtive and melancholy as the story plays out on Lorenzo Savoini’s icy clean, bright, minimalist set; Gillian Gallow’s stunning period costumes and Thomas Ryder Payne’s haunting soundtrack complete the storytelling. Stellar work from the ensemble in this complex, multi-dimensional, multi-layered tale of love, beauty, poetry, transformation and time travel. Much of the storytelling is directed outward to the audience, with the narration being delivered by the three chorus members, as well as characters, as scenes play out.

Afful switches masterfully between Orlando’s playfully comic and darkly introspective moments, having us laughing one minute, and then breaking our hearts the next. Beaty is majestic and mysterious as the striking, spirited Sasha; a vivacious and wandering soul, the practical Sasha appears to be more anchored in the present than the romantic Orlando, whose mind lives more in the past and the future. Orlando wishes to possess her, and she will not be possessed. And the three actors (Jarvis, Lauzon and McCooeye) who comprise the chorus deftly, and delightfully, play a variety of male and female characters; further underlining the overlap and of “male” and “female” characteristics within each of us.

An embodiment of the spirit of the age, Orlando lives across time periods where “gender fluid” and “non-binary” weren’t even terms yet. And we recognize—as these characters so aptly illustrate—that, while gender-prescribed roles and gender presentation are socially-imposed constructs, we humans have been playing with the notion of gender for centuries.

Orlando continues in the Michael Young Theatre at the Young Centre till July 29. Get advance tickets online or give the box office a shout at: 416-866-8666 or 1-888-898-1188.

Advertisements

Book preview: Words of passion & fury in Brenda Clews’ erotic, mythological Tidal Fury

DSCN2315
Brenda Clews performs a piece from Tidal Fury at RAW Natural Born Artists’ VERVE Artist Showcase

Artist and poet Brenda Clews will be launching her new book Tidal Fury, published by Guernica Editions on December 4 as part of Guernica’s December Delights Book Launch event at Supermarket. Part poetry, part storytelling, Tidal Fury weaves a narrative of love, obsession and power in a series of poem stories that includes images of original art works by Clews.

Folks who attended RAW Natural Born Artists’ VERVE Artist Showcase at Mod Club back in August got a taste of Tidal Fury, when Clews donned a Medusa headpiece and performed a powerful, evocative multimedia set of her work.

The fierce, lyrical narrative shifts from invoking the mythological in “Pythia, Priestess of Apollo” and the erotic in “Remember the Night…” and “Approach” to the reminiscence of letters to an absent lover in “Letter in Saffron” and the cerebral wordplay of “Intimacy.”

Incorporating ruminations on, and hallucinations of, time and space, Tidal Fury is also an examination of identity, including the masking of identity, featuring a compelling personification of jealousy in the form of the old woman and her relationship with the sea as she keeps a vice-like grip on the tide line. The ebb and flow of time, passion and the sea – as the waves undulate, so to do the bodies.

Words of passion and fury in Brenda Clews’ erotic, mythological Tidal Fury.

Brenda Clews’ Tidal Fury launch will be featured in Guernica’s upcoming December Delights Book Launch event on December 4 at 3:30 p.m. at Supermarket. Other featured works include Max’s Folly by Bill Turpin, The Examined Life by Luciano Iacobelli, Canticles I: mmxvi by George Elliott Clarke, Maniac Drifter by Laura Marello, Mankind & Other Stories of Women by Marianne Ackerman, Clarke Blaise: Essays on His Works & Clarke Blaise: The Interviews ed. J.R. (Tim) Struthers.

In the meantime, check out the trailer for Tidal Fury:

You can keep up with Brenda Clews on Twitter and Facebook.

 

Weaving projects across time & space – Steve Rockwell’s Folio exhibit @ Fran Hill Gallery

Artist Steve Rockwell’s exhibition Folio opened at Fran Hill Gallery (285 Rushton Rd., Toronto – St. Clair and Rushton Rd., west of Bathurst) on Thursday night. I wasn’t able to make it to the opening, so I dropped by last night to chat with Fran and Steve about the work.

Weaving projects across time and space, Steve Rockwell’s Folio exhibit combines some 25+ years of work and exploration. Here are just a few examples:

Text. From Meditations on Space, a narrative performance piece – later produced in a book detailing Rockwell’s exploration of and interactions in gallery storage spaces, recording his impressions in both text and photographs as he visited galleries in Toronto, LA, New York and locations in Europe. In the book, each gallery blurb is a short text piece, about the length of a tweet – only, in this case, the experience was physical instead of virtual – each one a funny, surprising and detailed description of his interaction with gallery owners and the space. And the photographs include some whimsical shots of his self-portrait in the storage spaces.

Background. A collage of pages from dART INTERNATIONAL magazine, of which Rockwell is the founding editor and publisher, publishing two to three times a year.

Colour. Rockwell’s Color Match board game, where players receive a predetermined number of coloured cardboard tiles and place them on a square board divided into a grid to create a multi-coloured, mosaic-like pattern. The judge of the game can be randomly selected from the crowd in the space where the game is being played. Unlike conventional board games, players do not accumulate things – they contribute – and there are no winners or losers. Turn over the colour tiles and each has a name and I.D. number – names like “Antidote,” “Stop!” and “Game Over.” Color Match was played on buses during Nuit Blanche 2006 in Toronto and you can see an example of pieces created using Colour Match in Art Gallery of Ontario advertising – framed works hung on the wall of the room in the photograph. Keep an eye out for upcoming Color Match tournaments at Fran Hill Gallery in Toronto and elsewhere. You never know when a match might pop up.

Concept. Rockwell’s Gallery Space 1988 project started with gallery folks locating their gallery on a grid, also indicating on their grid sheet which “wall” of the space the door should go on (north, south, east or west side of the square). The visual/spatial data gathered via these grid sheets (collected in a bound volume as part of that exhibit) culminated in the creation of a 3-D floor plan model. The resulting maze-like piece identifies each gallery, the “doors” of each leading into another gallery. Information to connection.

The Folio exhibit is a series of 13 ¾” X 17” unframed, protectively coated pieces on paper, hung in such a way that each is set slightly away from the wall, moving banner-like with the air currents in the room. The four-colour grid used in each brings to mind the family standards of heraldry – like in Game of Thrones – and most include hand-written text, in black or white, from Meditations on Space. Others have no text, but the original magazine page text and images can be seen through the paint.

Rockwell is like a visual data analyst – collecting, deconstructing and creating works using the concepts of space, interaction, connection and colour. It’s a lot like life that way, really. And as we were chatting, he also told me about another interesting project – in this case, an edible one. Collaborating with restauranteur Saeed Mohamed, Rockwell created the dArt Burger, a BQM hamburger sandwich. The burger was deconstructed into The Pixilated dArt Burger for an installation piece – and I can only imagine what a delicious temptation that was for exhibit visitors. You can order the dArt Burger at BQM locations in Toronto on Ossington Ave. and Queen St. West.

Rockwell’s Folio exhibit is up at Fran Hill Gallery until May 19. Hours: Tuesday – Sunday, 11 a.m. – 6 p.m. or by appointment.

IMG_2696
Artist Steve Rockwell at Fran Hill Gallery for his Folio exhibit.
IMG_2694
Three pieces from the Folio exhibit – Steve Rockwell.
IMG_2692
A grouping of four pieces in Steve Rockwell’s Folio exhibit.
IMG_2691
Another selection of works from Folio – Steve Rockwell.
SAMSUNG
My favourite of the Folio pieces – both for the colour and the hilarious text.