Update

New cowbells courtesy of my aunt Doreen Moore.

 

It’s Thanksgiving Monday here in Canada and I’ve been thinking about what I’m grateful for this year: friends, family, my colleagues at Nightwood Theatre—and you, dear reader.

I came out of hiatus in early September to cover INpulse Theatre Co’s production of Mockingbird Close at Red Sandcastle Theatre. Officially back, the cowbell blog will be operating in a reduced capacity for the next little while. Fall is a busy time for theatre companies—and, as I’m now working at a theatre company… You get the picture.

Although I’ll be covering fewer shows, I’ll still be shouting out the work on Twitter and Facebook, so please give me a follow if you haven’t already done so.

While you’re at it, drop by Nightwood Theatre’s Facebook page and Twitter feed, as well the Nightwood website, where I’ve been gradually resurrecting the blog there.

What are you grateful for this year?

 

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Interview: Lizzie Violet

Lizzie Violet—photo by Anna Lozyk Romeo

Happy International Women’s Day! Today’s post is an interview with an incredibly talented, hard-working, gutsy and generous woman in the Toronto arts scene.

Lizzie Violet is a writer, spoken word artist and horror aficionado—that “dark little girl with the crooked grin” who took her finely tuned, quirky sense of observation and love of zombie lore, and wrote it down. Evocative, darkly funny and sharply drawn, her writing ranges from hilarious and poignant personal storytelling, to socio-political observation, to chilling tales of the supernatural and deadly creatures from beyond the grave.

LWMC: You first become attracted to horror when you were a kid, staying up late with your dad watching old horror movies on TV. What was it that hooked you?

LV: Apparently, I liked to scare myself. Even as a young introverted kid, I figured out how invigorating an adrenaline rush felt. Even more so than watching the movies, the stories I would make up in my head scared me even more. I had an overactive imagination.  I was never afraid of the boogieman or the monsters in the closet. I was all about the bizarre versions of monsters and ghosts my mind would visualize or create and I would wonder if the creak in the stairs was a werewolf coming to gobble me up. I loved every second of it. Recently, my mom dug up some of the stories I wrote as a kid. You can see where it all began.

LWMC: You also became infamous around the school library for your interest in horror literature and biographies of serial killers. When did your love of the genre translate into wanting to writing horror-themed poems and stories?

LV: How that all started, was my Great Grandfather Bill died when I was 10 years old. I was really close to him. They took me to his viewing at the funeral home and to me, the man in the casket looked nothing like him. He had this weird heavy makeup on, including rouge and lipstick. At the viewing, I started asking a lot of ‘inappropriate’ questions about why he looked that way and what was going to happen to him now that he had ‘passed away’ (no one would actually use the word dead). No one would answer me. I had a melt down and then wasn’t allowed to go to the funeral.

After that, I would continually ask the librarians for books about death, eventually progressing to books on serial killers and hauntings. We used to get the Scholastic Book Club magazines and I would get upset when there weren’t books along that theme as an option. They (teachers and the librarian) became concerned about how morbid this young child had become. My parents were not pleased, to say the least. All of this pushed me further into introversion and a way for me to cope was to start writing. To everyone’s dismay… my writing was always horror themed. From that point on in my life I became death-obsessed. Not in a ‘wanting to kill myself way,’ rather needing to seek the knowledge about death. Why it happened, what happened to you and your body when you died. Why we had funerals. Did it hurt? Recently, I discovered a writer and YouTuber called Caitlin Doughty (her channel is ‘Ask A Mortician’); I wish I had known someone like her as a kid. She is open about death and death positivity.

LWMC: Over the years, you’ve written in a number of media, from poetry, to the story for I Hate Todd’s “Zombie Love” music video, to screenwriting, stage and radio playwriting, and blogging, including your new Not Vegan Now Vegan food/recipe blog. Do you have a favourite medium?

LV: Short stories. I am madly in love with short stories. It goes back to that adrenaline rush feeling. You have to get people pulled in and worked up in a short amount of words. The pressure to do that in under 10,000 words is exhilarating for me. If I had to pick a second, it would be screenwriting. I love storytelling in that format as well. When you read a book or a short story, the reader sees the setting or character differently. They create their own visual. When you put it on a screen, they get to see what you want them to see. They get to actually be in your head and that terrifying thought, is appealing to me.

LWMC: Last Fall, you bid farewell to Lizzie Violet’s Cabaret Noir and tapered off your event production work. And, most recently, you quit your day job to pursue writing full-time. What led up to that decision and how has it been, adjusting to the new routine?

LV: I realized I had my fingers in too many pies and, because of this, I wasn’t getting enough writing done. When I don’t write, I actually get depressed. I sat back and took a look at what I have accomplished; what I could accomplish and realized I needed to be all in. Life is too short and I don’t want to ever have regrets for not trying. You only fail when you don’t make the effort.

I’ve been adjusting well. I freelanced for almost 10 years prior to my last job, and am able to focus and be productive. There are days when you just can’t be creative, and my mantra for those days is to do something else. Go for a walk. Write a list. Have a dance party in the living room. Dig holes somewhere. Just don’t let frustration take over. Sometimes you need to shake the cobwebs out—then you will be fine.

LWMC: What have been your biggest challenges? Your biggest rewards?

LV: Other than things being tight financially at the moment, I don’t really have any challenges. I do have a lot of rewards. Being able to wake up every day and write is the best feeling in the world. I am also lucky to have a partner who is supportive of my dreams.

LWMC: You’re working on a novel right now. What can you tell us about it?

LV: Without give too much away—it’s semi-autobiographical, yet still fiction, a ghost story and set in small-town Ontario. The two main characters are teenagers who don’t fit into society’s ideals of what a teenager should be and, did I mention, it’s ghost story. The title of the novel is Freaks & Grimm. In the next month or so, I am going to start hitting up open mics and read parts of the novel.

LWMC: Anything else you’d like to shout out?

LV: Oh yeah! Going back to your question about shows, though I am no longer producing shows similar to the Cabaret, I am still producing shows that showcase my work. Heather Babcock and I are working on a new format for our RedHead Revue. Hoping to have a date for this spring.  I am also working on a YouTube channel called Lizzie Violet’s Lair.  The content will be segments on horror, b-horror movies, talks about death and the dead. I will have regular guests to chat about ghoulish things such as hearses, graveyard tours, the paranormal, ghosts, zombies and more. Oh… and don’t worry, we will also talk about horror-based writing. I’m working on the set-up and scripts. I’m hoping to launch it this summer. You should all subscribe so you don’t miss the launch: https://www.youtube.com/user/lizzieviolet1313

The RedHead Revue page is https://www.facebook.com/redheadrevue/.

LWMC: I’d like to finish up with James Lipton’s Pivot questionnaire:

What’s your favourite word?

All of them!  If I had to just pick one, it would be gloomy or serendipity. Can I choose two?

What’s your least favourite word?

Moist. Why does that word even exist?

What turns you on?

When someone gets my weird and morbid sense of humour.

What turns you off?

Phoniness. Say what you mean. Say what you feel. Don’t pretend to be something or someone you aren’t. Being authentic is important. Oh… damn… I sounded like a hipster.

What sound or noise do you love?

The sounds of a thunderstorm rolling in. Nothing more soothing than thunder and lightning.

What sound or noise do you hate?

The sounds of animals in pain. It breaks my heart.

What is your favourite curse word?

Motherfucker.

What profession other than your own would you like to pursue?

There isn’t any other profession. This is what I’ve dreamed of all my life.

What profession would you not like to do?

Veterinarian. When I was a kid, I had a brief moment were I wanted to be a vet, until I found out that they had to euthanize the animals.

If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?

You made a wrong turn. It’s the other gates you want.

Thanks, Lizzie!

You can also keep up with Lizzie Violet on Twitter, Facebook and Instagram.

Stageworthy Podcast interview

Shortly before the holiday, I sat on the other side of the interview table with Phil Rickaby of Stageworthy Podcast as we chatted about theatre and the life with more cowbell blog. Thanks, Phil – I had a blast!

The interview is about an hour long; give it a listen here.

Photo by Lisa MacIntosh, taken outside Alumnae Theatre.

Happy holidays 2016!

And with my final post of 2016 – on Second City’s big fun sketch comedy/improv production of Twist Your Dickens, the cowbell blog signs off for the year.

Stop by for a visit in early January, when I’ll be covering some shows featured in the 2017 Next Stage Theatre Festival (NSTF), which will be celebrating its 10th birthday at Factory Theatre.

In the meantime, stay tuned for my top 10 theatre productions of 2016, which I’ll be posting at the end of December.

Happy holidays to you and yours – and all good things for 2017!

Book preview: Words of passion & fury in Brenda Clews’ erotic, mythological Tidal Fury

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Brenda Clews performs a piece from Tidal Fury at RAW Natural Born Artists’ VERVE Artist Showcase

Artist and poet Brenda Clews will be launching her new book Tidal Fury, published by Guernica Editions on December 4 as part of Guernica’s December Delights Book Launch event at Supermarket. Part poetry, part storytelling, Tidal Fury weaves a narrative of love, obsession and power in a series of poem stories that includes images of original art works by Clews.

Folks who attended RAW Natural Born Artists’ VERVE Artist Showcase at Mod Club back in August got a taste of Tidal Fury, when Clews donned a Medusa headpiece and performed a powerful, evocative multimedia set of her work.

The fierce, lyrical narrative shifts from invoking the mythological in “Pythia, Priestess of Apollo” and the erotic in “Remember the Night…” and “Approach” to the reminiscence of letters to an absent lover in “Letter in Saffron” and the cerebral wordplay of “Intimacy.”

Incorporating ruminations on, and hallucinations of, time and space, Tidal Fury is also an examination of identity, including the masking of identity, featuring a compelling personification of jealousy in the form of the old woman and her relationship with the sea as she keeps a vice-like grip on the tide line. The ebb and flow of time, passion and the sea – as the waves undulate, so to do the bodies.

Words of passion and fury in Brenda Clews’ erotic, mythological Tidal Fury.

Brenda Clews’ Tidal Fury launch will be featured in Guernica’s upcoming December Delights Book Launch event on December 4 at 3:30 p.m. at Supermarket. Other featured works include Max’s Folly by Bill Turpin, The Examined Life by Luciano Iacobelli, Canticles I: mmxvi by George Elliott Clarke, Maniac Drifter by Laura Marello, Mankind & Other Stories of Women by Marianne Ackerman, Clarke Blaise: Essays on His Works & Clarke Blaise: The Interviews ed. J.R. (Tim) Struthers.

In the meantime, check out the trailer for Tidal Fury:

You can keep up with Brenda Clews on Twitter and Facebook.

 

#sfHypochondriac — TOpoet

#sfHypochondriac The Festival production of Molière’s The Hypochondriac was a delightful way to escape Toronto’s heatwave to Stratford’s slightly cooler environs this past Friday (Aug 19). Under the direction of Antonio Cimolino the production delivers one of the most satisfying comic shows I’ve been here is some time. The new text by Richard Bean is […]

via #sfHypochondriac — TOpoet