Toronto Fringe: Hilarity ensues with farce-inspired improv shenanigans in Entrances and Exits

Back: Ghazal Azarbad, Liz Johnston, Dylan Evans & Connor Low. Front: Conor Bradbury, Nigel Downer & Ruth Goodwin. Photo by Connor Low.

 

The Howland Company joins forces with Bad Dog Theatre for a Toronto Fringe run of improvised theatre, creating a new show every night inspired by traditional farces with Entrances and Exits, directed by Paolo Santalucia and running on the Factory Theatre Mainstage. Split into two parts, the scene starts in the living room, then flips to the bedroom, where we see the same scene play out but from a different vantage point.

Last night, host and FX operator Connor Low set the stage and collected suggestions from the audience: a type of party and three sounds you don’t want to hear coming from a bedroom. We got New Year’s Eve party; and breaking glass, a blood-curdling scream and a gun shot. Hilarity ensues, with tension-filled marriages, grudge-filled resentment and competition, secret passions, startling revelations and a college wrestling uniform.

Last night’s ensemble featured the hilarious improv stylings of Ghazal Azarbad, Conor Bradbury, Nigel Downer, Dylan Evans and Liz Johnston (the ensemble also includes Ruth Goodwin). With high-energy antics and side-splitting shenanigans, these actors turned on a dime to create this wacky fun slapstick tale of friends and frenemies gathering to ring in the New Year.

Entrances and Exits returns to the Factory Mainstage tonight (July 14) at 9:15 pm and July 15 at noon; these guys are sold out, but you may be able to snag some rush seats if you arrive early.

In the meantime, check out Megan Robinson’s In the Greenroom interview with company member Liz Johnston and production manager Mimi Warshaw about their experience creating this improvised farce for Fringe.

Want to check if the show you want to see is sold out? The Toronto Fringe folks have set up a page for sold-out shows, updated daily.

Check out the 2018 Patron’s Picks, which receive an additional performance on July 15. 

 

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Toronto Fringe: Trial by browser history in the razor sharp, darkly funny Featherweight

Kat Letwin, Michael Musi & Amanda Cordner. Photo by John Gundy.

 

Theatre Brouhaha is back at Toronto Fringe with with Tom McGee’s razor sharp, darkly funny look at judgement for the afterlife, Featherweight—inspired by Egyptian mythology and Seth Stephens-Davidowitz’s Everybody Lies: Big Data, New Data, and What The Internet Can Tell Us About Who We Really Are—directed by McGee and running at The Paddock Tavern.

A customized courtroom of the Egyptian mythology persuasion takes form as The Paddock Tavern; presided over by Anubis (Amanda Cordner) and her servant Thoth (Kat Letwin)—in this case, for the judgement of the recently deceased Jeff (Michael Musi). Traditionally, the heart of the dead is put through the Trial of Osiris: Weighed against a feather to determine whether the soul moves on to the Field of Reeds or is devoured by the demon Ammit (who, in this case, lives in The Paddock’s kitchen).

The bar was an important place in Jeff’s life, hence its appearance as his place of judgement; Anubis appears as his ex-girlfriend and servant Thoth appears as a Downton Abbey-esque Butler. Weary of judging souls for the afterlife, and aggravated by a broken justice system, a suicidal Anubis ups the ante by adding Jeff’s browser history to the scale; and proceeds to summon witnesses from his life that aren’t included on the previously approved list. The fastidious, wry-witted Thoth is to be the channel for these crucial people from Jeff’s life—and she doesn’t like this plan at all.

Faced with the soul of his father—who also faced judgement in The Paddock—we get some insight into Jeff’s dysfunctional childhood, hanging out in the bar without any meaningful guidance from a father figure. And his browser history offers some damning evidence of complicity in several #MeToo incidents; in his case, indirect, as he wasn’t the perpetrator.

Stellar work from the three-hander cast; serving up compelling, entertaining and sharply focused performances in this quirky, edgy and sardonic tale. What does our online footprint say about us, our lives and our relationships with others—and should we be judged accordingly?

Featherweight has three more performances at The Paddock: tonight through Sunday at 8 pm; it’s sold out for the remainder of the run, but you can take your chances at the door for rush seats by arriving early.

Want to check if the show you want to see is sold out? The Toronto Fringe folks have set up a page for sold-out shows, updated daily.

 

Toronto Fringe: Party like a sumo wrestler with Robin F*cking Black in the gutsy, inspirational Enjoy the Hostilities

Robin Black. Photo by John Laszlo Bruce.

 

Pressgang Theatre takes us on a wild, wisdom-filled storytelling ride with its Toronto Fringe production of Enjoy the Hostilities, written by Robin Black and Graham Isador, directed by Isador and performed by Black—running now at The Bovine.

Part personal journey, part edgy TedTalk, the storytelling is frank, unapologetic and authentic as the hard-working, hard-drinking, hard-partying Black takes us from his life as the frontman of the glam rock band Robin Black and the Intergalactic Rockstars, to fighting in the UFC cage, to becoming a professional MMA fight analyst. Turning his life around from a deadly diet of drugs and alcohol after waking up to a drug-induced seizure, Black set his sights on becoming a professional fight commentator—but, first, he had to become a fighter. Knowing full well that larger goals are made up of smaller goals (a system of goal achievement he learned from his dad), this meant training, studying—and overcoming his previous reputation as an eyeliner-wearing rocker with big hair and tight pants, to gain respect in the cage.

Black’s determined, fighter spirit goes super nova in this gutsy, inspirational solo show—and there’s genuine gratitude, joy and excitement to be making a living doing what he loves.

Enjoy the Hostilities has one more performance at the Bovine: July 15 at 6 pm. Last night’s show was jam-packed, so advance booking strongly recommended.

Want to check if the show you want to see is sold out? The Toronto Fringe folks have set up a page for sold-out shows, updated daily.

 

Toronto Fringe: Art, longing & acceptance in the poetic, heart-wrenching, gender-bending The Bird Killer

Clockwise, from bottom left: Emerjade Simms, Tymika Tafari, Subhash Santosh, Mo Zeighami, Evan Mackenzie & Mike Ricci. Photo by Patrick J. Horan.

 

LET ME IN presents Justine Christensen’s poetic, heart-wrenching modern-day, gender-bending adaptation of Anton Chekhov’s The Seagull with its Toronto Fringe production of The Bird Killer, directed by Patrick J. Horan and running in the Tarragon Theatre Mainspace.

A group of artist friends grapple with the day-to-day challenges of artistic expression, and personal and professional fulfillment—all while maintaining their relationships and support network. Masha (Emerjade Simms) is a keen observer of her friends’ goings-on, and acts as a host/narrator when she’s not directly involved in a moment. Wearing black to mourn the state of her life, her sardonic sense of humour masks a broken heart: her unrequited love of the driven, tormented playwright Kostya (Mo Zeighami). Kostya is with the nervous emerging actor Nina (Even Mackenzie), who stars in her new contemporary theatre piece. Singer/songwriter Medvedenko (Mike Ricci, who also supplies original music for the production) is Kostya’s loyal, hard-working stage manager; and taken with Masha.

Kostya’s wise-cracking stand-up comic brother Arkadina (Subhash Santosh) brings his girlfriend, renowned playwright Trigorin (Tymika Tafari), to an invitation-only presentation of Kostya’s new work; setting off debates of artistry vs. celebrity, and changing the group dynamic. He’s unwittingly set in motion a significant ripple within the group—and things will never be the same.

Beautiful, moving work from the ensemble with a piece that cuts close to home for all artists. Each character longs for love and professional artistic fulfillment, but finds it difficult to achieve satisfaction. Does acknowledgement and accolades make one artist’s work more important than another’s? How does an artist navigate authenticity vs. marketability? And, most importantly, how does an artist accept him/herself?

The Bird Killer continues in the Tarragon Mainspace, with two more performances: tonight (July 13) at 9:15 pm and July 15 at 3:30 pm.

Want to check if the show you want to see is sold out? The Toronto Fringe folks have set up a page for sold-out shows, updated daily.

 

Toronto Fringe: Burlesque macabredy delights in the erotic queer vampire tale Carmilla

Heath V. Salazar & Stella Kulagowski. Photo by Sly Feiticeira.

 

Pointed Cap Playhouse takes Toronto Fringe audiences to a Victorian world of frightening yet titillating portents and strange, alluring creatures in Adam Steel’s burlesque adaptation of Carmilla; running at The Painted Lady. Co-created by Sly Feiticeira, Stella Kulagowski and Adam Steel, and directed by Kay Brattan, this version of the vampire was inspired by Joseph Sheridan La Fanu’s book, which pre-dated the Bram Stoker classic by 26 years. Here, the vampire is attractive, seductive and rife with eroticism—think Frank Langella’s or Gary Oldman’s Dracula, or the beautiful creatures from Interview with the Vampire.

Carmilla opens on the English country home of Dominic Sheridan (Shawn Lall), where he lives with his lovely, well-mannered flaxen-haired daughter Laura (Stella Kulagowski) and prim governess Mlle. De La Fontaine (Amanda McKnight). Laura’s hopes and excitement over the impending visit of new friend Bertha (McKnight) are dashed when they learn that Bertha has succumbed to a mysterious illness and died. A carriage accident near their home brings an equally mysterious woman (Sly Feiticeira) to their door, searching for a place to sequester her injured daughter as she continues on an important mission. Sheridan takes the daughter in, an unconscious figure wrapped in a cloak.

Bertha’s grief-stricken father General Spielsdorf (Sebastien Marziali) travels to Romania in search of answers for his daughter’s death, posting regular updates to Sheridan. Meanwhile, Laura becomes fast friends with their young guest, a strikingly beautiful, pale young woman with raven hair named Carmilla (Heath V. Salazar). When their friendship evolves into something more, and Laura starts dressing and behaving in an uncharacteristic way, Sheridan becomes concerned for his daughter’s health. And when the General returns with some troubling information about the nature of the deadly ailment, suspicions about Carmilla are confirmed.

Part burlesque, part melodrama, part macabredy—with a dash of erotic fairy tale—Carmilla is a sexy, fun romp of a queer vampire tale, presented with style, sass and seductiveness. Featuring evocative, fun and sensual choreography by Kulagowski, Salazar and Marziali, it’s a rousing burlesque delight. If you’re a burlesque virgin, no worries—Mlle. De La Fontaine will reveal all when it comes to burlesque audience etiquette.

Carmilla continues at The Painted Lady, with performances tonight (July 12) at 7pm, and Saturday and Sunday at 1pm. Last night’s show was sold out, and it’s an intimate venue, so advance booking is a very good plan.

Want to check if the show you want to see is sold out? The Toronto Fringe folks have set up a page for sold-out shows, updated daily.

 

 

Toronto Fringe: Art, friendship & astroturf in the quirky, edgy, hilarious The Grass is Greenest at the Houston Astrodome

Adrian Rebucas, Lauren MacKinlay, Anne van Leeuwen, Richard Young & Carson Pinch. Photo by Megan Terris.

 

High Park Productions takes us to The Freedom Factory gallery (22 Dovercourt Road, south of Queen St. East) for a fly-on-the-wall view of the aftermath of an explosive art show opening. The Toronto Fringe production of Michael Ross Albert’s The Grass is Greenest at the Houston Astrodome, directed by Robert Motum, is a quirky, edgy, hilarious look at the indie art world and a group of artist friends as they struggle with finding fulfillment in the personal lives and careers.

Photographer Amy (Lauren MacKinlay) manages an art gallery that’s soon shutting down, so she invites her art school friends to hang their work in one final show—one that quickly closes when radical feminist painter pal Caroline (Anne van Leeuwen) goes all rock star in a hotel room on the place. Cleaning up the debris of art work, wine glasses and broken dreams, Amy is assisted by gallery intern/sculptor Pablo (Carson Pinch) and conceptual artist friend Marshall (Adrian Rebucas) while Caroline fumes and smokes outside before rejoining her friends to explain herself and face the music. And just when you thought things couldn’t get more complicated, Caroline’s fiancé John (Richard Young) arrives and the gang discovers that he already knows Marshall.

Remarkable work from the ensemble, who keeps it real and present amidst all the insanity, razor sharp hilarity and satire. Heartfelt, insightful discussions about the art world, the nature of art and creativity, and the artist’s place within it all—and the existential crisis every artist must confront regarding their work, the precarity of their financial status, and their struggle for personal meaning and fulfillment.

The production features dramatic, evocative works by local female artists Shannon Gernon, Christine Miller, Krista Sobocan and Zabrina Szymanski.

The Grass is Greenest at the Houston Astrodome continues every night at 8 p.m. at The Freedom Factory until July 15. It’s sold out for the remainder of the run, but you can always drop by and take your chances on scooping up a spot from a no-show.

Want to check if the show you want to see is sold out? The Toronto Fringe folks have set up a page for sold-out shows, updated daily.

 

 

Toronto Fringe: Turning up the heat in a complex power struggle in the gripping, darkly funny Anywhere

Cass Van Wyck & Courtney Ch’ng Lancaster. Costumes by Lindsay Dagger Junkin. Photo by Emily Dix.

 

One Four One Collective and The Spadina Avenue Gang take us to the middle of a tension-filled stand-off between a suburban Airbnb host and guest with Michael Ross Albert’s gripping, darkly funny Anywhere, directed by David LaFontaine and running in the Factory Theatre Studio for Toronto Fringe.

Returning late from her last day at a business conference, bus tour booking agent Liz (Courtney Ch’ng Lancaster) finds her Airbnb host, bartender Joy (Cass Van Wyck), waiting up for her; and Joy’s not happy. An interrogation kicks off an uncomfortable debate and anger-tinged power struggle as the tables turn and Liz confronts Joy about the events of the previous evening—events that Liz can’t entirely recall, only that they included Joy’s estranged husband.

Part mystery, part psychodrama, part class struggle, Anywhere starts at a slow boil; then the heat gets turned up as suspicions, confessions and demands explode—and the verbal sparring takes an unexpected turn.

Outstanding work from Ch’ng Lancaster and Van Wyck in this sharp, compelling game of human chess; each revealing and concealing as accusations shift and tides turn.

Anywhere continues in the Factory Theatre Studio until July 14; check the show page for exact dates and times. Yesterday’s afternoon show was packed—and Ross’s other Toronto Fringe show, The Grass is Greenest at the Houston Astrodome, is sold out* for the run—so best to book ahead.

Speaking of The Grass is Greenest…, it turned out to be a Michael Ross Albert double header for me yesterday—purely by chance; that review will be up next.

*Want to check if the show you want to see is sold out? The Toronto Fringe folks have set up a page for sold-out shows, updated daily.